30 Day Book Challenge Day 28

Day Twenty-Eight – Last Book You Read

The Gathering by Kelley Armstrong. Really enjoyed it. Not much more to say than that.

Summary From Goodreads

Sixteen-year-old Maya is just an ordinary teen in an ordinary town. Sure, she doesn’t know much about her background – the only thing she really has to cling to is an odd paw-print birthmark on her hip – but she never really put much thought into who her parents were or how she ended up with her adopted parents in this tiny medical-research community on Vancouver Island.

Until now.

Strange things have been happening in this claustrophobic town – from the mountain lions that have been approaching Maya to her best friend’s hidden talent for “feeling” out people and situations, to the sexy new bad boy who makes Maya feel . . . . different. Combine that with a few unexplained deaths and a mystery involving Maya’s biological parents and it’s easy to suspect that this town might have more than its share of skeletons in its closet. 

30 Day Book Challenge Day 10

Day Ten – A Book That Changed Your Life

I’m not sure this qualifies as changing my life, but this was the book that got me into Urban Fantasy, or Paranormal Fiction, and has shaped my reading choices ever since I opened the first page.

I bought it because a review website gave one of its sequels five stars and the review made it sound like a book series written with specifically me in mind. I asked my godmother to buy be the first two for Christmas, and have been hooked on the series ever since. Bitten by Kelley Armstrong.

Summary From Goodreads

Elena Michaels is your regular twenty-first-century girl: self-assured, smart and fighting fit. She also just happens to be the only female werewolf in the world…

It has some good points. When she walks down a dark alleyway, she’s the scary one. But now her Pack – the one she abandoned so that she could live a normal life – are in trouble, and they need her help. Is she willing to risk her life to help the ex-lover who betrayed her by turning her into a werewolf in the first place? And, more to the point, does she have a choice?

Stepping Outside My Writing Comfort Zone

So I’m knee-deep in my latest project, trying to balance my passion and enthusiasm for it with a demanding new job. I want to keep the writing going, particularly as I’m sending this one out to my critique group chapter by chapter, and they are keen to keep reading.

Writing Sci Fi is so far from my usual fare it’s presenting a number of challenges – exposition or total world immersion (I went for the latter) How much is too much? Is it overwhelming? Impossible to understand? Am I the only one who knows what is going on or cares?

Having loyal readers, even if most are family and (I would hope) naturally a little biased in my favour (and it’s not that I don’t trust them to be critical when necessary – I just always worry that our shared experiences come through in my writing, things they understand that most others wouldn’t), has done a lot to assuage these worries, allowing me to get down into the actual story. Which has taken me even further from my writing comfort zone. Starting at and not ending with a near-miss sex scene in the second chapter.

Seriously, how do romance writers write sex scenes and not die laughing? I nearly died laughing and all my characters do is take a few clothes off.

The premise for the scene is this: two characters meet for the first time, both a little intoxicated. They spend the night dancing at a club and eventually head back to one of their houses. They fool around for a bit, but before anything serious happens they get distracted.

This is told in flashback. At the start of the novel, the two characters in question are fast friends, but not an item. This is the one and only time they’ve ever come close to anything like that. Whether or not they will in the future is up to them and the course of the book. I haven’t thought that far ahead yet.

Now, I find it hard to write anything explicitly sexual. As I’ve already mentioned – it just makes me laugh. I write things, read it and think ‘that sounds so ridiculously funny’ and delete it. A friend and I, during one of the more drunken/hyper/stupid moments of our uni career decided we would try writing a sex scene – not with the intention of ever showing a tutor, just to see if we could. We couldn’t. It was after reading No Humans Involved by Kelley Armstrong which, despite my love of all things Kelley Armstrong, has one of the most mind bendingly ridiculous sex scenes I’ve ever read, second only to a scene in Hunter’s Prayer by Lilith Saintcrow, which actually mentions kissing of the ‘carotid artery’. Yes. Is it just me or is ‘he kissed my neck’ much sexier than ‘he kissed my carotid artery’?

I couldn’t be one of these writers who details the exact hows of sex in that ‘romantic’, flowery way of Romance novelists and Urban Fantasy writers. I prefer allusion. Or total bluntness. Tabitha Suzuma is the master of completely warts and all bluntness in her novel Forbidden about an incestuous relationship between a brother and sister. Gross, yes, but wonderfully written. Wonderfully written enough to keep reading despite the sick factor.

My characters aren’t related, but at the time of their near miss one is underage. (Yes, underage and in a club, with no parents in sight – all part of the world set up: a dystopian future where the majority of the population is under twenty five or incapacitated.) I decided bluntness would be the best approach.

I think it worked out well in the end. Still waiting on feedback from a couple of parties, but generally the consensus seems to be that it wasn’t gratuitous and was necessary to the story. If my uni friend can read it without laughing, I’ll take it as a win!

Next time on ‘Liberty Chronicles Her Writing Struggles For Anyone Who Cares To Listen’…

The challenge of the word challenge and alpha-male face-offs. Or, ‘How Liberty tried to write about two characters rubbing each other up the wrong way and ended up writing ‘challenge’ twice in five words…’

Review: Waking The Witch by Kelley Armstrong

Title: Waking the Witch

Author: Kelley Armstrong

Series: Women of the Otherworld #11

Genre: Urban Fantasy

Publisher: Orbit

Summary (from Goodreads)

The orphaned daughter of a sorcerer and a half-demon, Savannah is a terrifyingly powerful young witch who has never been able to resist the chance to throw her magical weight around. But at 21 she knows she needs to grow up and prove to her guardians, Paige and Lucas, that she can be a responsible member of their supernatural detective agency. So she jumps at the chance to fly solo, investigating the mysterious deaths of three young women in a nearby factory town as a favor to one of the agency’s associates. At first glance, the murders look garden-variety human, but on closer inspection signs point to otherworldly stakes.

Soon Savannah is in over her head. She’s run off the road and nearly killed, haunted by a mystery stalker, and freaked out when the brother of one of the dead women is murdered when he tries to investigate the crime. To complicate things, something weird is happening to her powers. Pitted against shamans, demons, a voodoo-inflected cult and garden-variety goons, Savannah has to fight to ensure her first case isn’t her last. And she also has to ask for help, perhaps the hardest lesson she’s ever had to learn.

What’s Good About It

I’m a long standing fan of the Women of the Otherworld Series. I think Kelley Armstrong does the perfect realistic heroine and Savannah is a perfect example of that. The super-powerful witch could easily have become the most annoying character in the series – no one likes a character that is all powerful. It’s boring. But Savannah is far from boring and that’s because, despite being super-powerful, she has a whole load of realistic flaws that make her so very human. Yes, she weilds more magical power than most covens, but she also has huge insecurities, a desperate need to prove herself to Paige and Lucas, her adoptive parents, an unrequited love for half-demon Adam Vasic, and a real aversion to asking for help. She does stupid things, makes mistakes, misses stuff, and people get hurt. But she’s also brave, determined and resourceful – things we all wish we would be in a crisis. She’s the sort of heroine we believe we would be capable of being, which makes for brilliant escapist reading.

The plot is just the sort of thing you would expect from Armstrong – tense, taught and filled with murder and intrigue. There was never a moment when I thought ‘Someone please open Savannah’s eyes, because this is so obvious’ which is my quality control test for mystery novels of any nature. I hate guessing things ages before the character does (if I’m not supposed to) and I didn’t once have this problem in Waking the Witch.

The book works well as an addition to the series, but if you are new to it it’s a reasonable place to start. It’s light on reccurring characters, and though there are a few references to previous events that it would be better to know before reading, it’s not the end of the world if you don’t, as there are reminders weaved into the prose for the benefit of both schools of reader. Personally, I think you’d be better off starting from the beginning and enjoying the series in its entirety -  all the books in it I’ve read (and I’ve read most) are fab – but if your library/bank balance does not allow, then you can still enjoy this one.

What’s Not So Good

I didn’t like the ending. I can’t say too much without spoiling it, but while the main thrust of the story was wrapped up, this felt more like ‘part one of two’ than a standalone novel, which most novels in this series are. They feature reccuring characters, and the same narrators are often revisited, but each book stands alone. This one doesn’t, so much. While nothing is left so open as to be annoying, it was a bit too cliffhangerish for my taste. Mostly because I don’t know when the next book is out, but it will probably be ages too long :D

Rating: 4.5/5